10 Historic Paintings That Clearly Show UFOs
10 The Annunciation With Saint
Emidus 1486
The Annunciation with Saint Emidus, which was painted in 1486 by
Italian artist Carlo Crivelli, shows the Virgin Mary shortly before she
realizes that she will give birth to Jesus the savior.
A beam of light coming from a round opening in the sky to Mary’s
head is said by most mainstream art critics and historians to be the halo of
the Lord projecting down to Mary.
However, UFO and alien enthusiasts have interpreted the halo as
a disc-shaped UFO. Their belief is that Jesus was not divine at all. Instead,
it was the result of genetic engineering and the implanting of a child
into the unsuspecting Immaculate Conception. Supposedly, she was abducted and
impregnated by an alien race.
They argue that the beam of light striking Mary while she is
indoors is consistent with modern-day alien abductions. Many people who claim
to have been abducted state that they were inside their homes when a strange
light shone from outside the buildings.
9 The Crucifixion Of Christ (Kosovo)
1350
The Crucifixion of Christ, which hangs above the altar of the
Visoki Decani Monastery in Kosovo, depicts the crucifixion of Jesus Christ with
a clear air born craft in each corner of the painting.
Even stranger, a person appears to be piloting each aircraft.
The pilot in the top right corner is looking back at the craft behind him—as if
he is being pursued. Both pilots seem to be dressed in space suits. The
lack of halos near them appears to rule out the possibility that they are divine
beings.
Mainstream theorists have suggested that the UFOs are symbols of
the Sun and the Moon. However, the Christian church does not recognize the Sun
or the Moon as deities or divine beings. At the time that this painting was
created, such a suggestion would have been considered blasphemy and could have
resulted in the person being put to death.
8 The Baptism Of Christ
1710
The Baptism of Christ, which was painted by Dutch artist Aert de
Gelde in 1710, shows a disc-shaped object shining several beams of
light toward the baptismal scene below.
Gelde was a keen student of Rembrandt. Some believe that this
would have given the Dutch artist access to the Vatican’s art archives and
their “secret knowledge.” As a result, many people believe that Gelde’s
paintings, especially this one, are cleverly conveying that secret knowledge to
the public.
Whether this is true is open to debate. But four columns of
light (rather than a single ray) emanating from the craft seems to suggest that
this is an actual object.
The painting now hangs in the Fitzwilliam Museum in Cambridge,
UK.
7 The Madonna With Saint Giovannino
Late 1400s
In the painting The Madonna with Saint Giovannino, a flying
craft is above and behind the left shoulder of the Madonna. A man is staring up
at the craft. His dog appears to be barking at it, which suggests that
the object isn’t divine.
Rays of light appear around the craft. The position of the
Madonna in relation to her children has led some to suggest that she is
shielding them from the craft. Her halo also appears to be darker and fainter
in this particular picture. Could that be related to the object in the sky
behind her? Did it have a diminutive effect?
Another theory is that the object is simply a symbol of Domenico
Ghirlandaio, the artist. He is believed to have painted the piece during the
second half of the 15th century, although other researchers have attributed it
to Jacopo del Sellaio or Sebastiano Mainardi.
6 Triumph Of Summer Tapestry 1538
The Triumph of Summer tapestry, which was created in
Bruges, Belgium, in 1538, shows several objects that look like modern UFOs. In
the top left of the tapestry, several saucer-shaped objects appear to have
raised sections in them— almost as if they were cock pits.
As there are no known religious symbols that look like this, it
has to be assumed that these objects do not symbolize something divine. The
piece is supposed to depict a ruler’s ascent to power, so it is difficult to
see the connection between this scene and the strange craft.
However, it is possible that the connection is nothing more than
the artist recreating a natural phenomenon that he had previously seen. Today,
this tapestry can be viewed in the Bayerisches Nationalmuseum in Germany.
5 La Tebaide Mid-1400s
Painted in the mid-15th century, La Tebaide (aka Scene di vita eremitica) is a montage of
scenes showing various aspects and beliefs of monastic life. Part of this
picture shows Jesus on the cross, and many eagle-eyed enthusiasts have picked
out a small, red, disc-shaped UFO at the bottom of that scene.
Debunkers claim that the red, saucer-shaped object is nothing
more than a traditional cardinal’s hat that belongs to St. Jerome,
the person kneeling in front of the cross.
On the other hand, UFOlogists believe that the red trails
projecting from the “UFO” show its erratic movements. However, the trails are
probably just the tassels of the traditional headpiece. Besides, this hat
appears in many other paintings of St. Jerome. As in this picture, the hat is
usually found close to him.
La Tebaide is currently on
display at the Academy of Florence, Italy.
4 The Miracle Of The Snow
1428–1432
The Miracle of the Snow by painter Masolino da Panicale
supposedly depicts the legend
of snowfall that occurred in Rome on a hot summer’s day in August in the
fourth century.
While the townsfolk were investigating this unusual weather,
Jesus and Mary sat on a cloud looking over the scene. Although it could be
argued that the cloud represents Heaven, there are many disc-shaped “clouds”
filling the sky behind Jesus and Mary’s cloud.
Would an artist who has paid attention to detail in every other
aspect of his work paint a cloud in such a simplistic way? UFOlogists tend to
think not and suggest that these clouds are UFOs that may have once been part
of the legend.
This theory has some credibility because UFO
activity has been linked to strange turns in the weather at times. For
example, on October 27, 1954, several egg-shaped craft were seen flying through
the sky in the middle of the afternoon in Florence.
At one point, they came to a halt over a football stadium as if
observing the events below. Many witnesses described a “silver glitter” that
appeared to fall from the sky as the strange objects flew overhead. The glitter
looked similar to snowflakes when examined on the ground.
3 ‘Israel, Put Your Hope In The Lord’ Painting
Circa 1600s
This mysterious painting depicts a giant disc-shaped
object above a burning church. The painting currently sits in the Church of the
Dominican Monastery in Sighisoara, Romania.
This location is in the legendary region of Transylvania, which
was the birthplace of Vlad III, prince of Wallachia. You may know him better as
“Vlad the Impaler” or “Vlad III Dracula”—the same Dracula that inspired Bram
Stoker’s classic 1897 novel.
It is not known if there is a connection between Dracula and the
painting. Although mainstream historians argue that the disc-shaped object is
nothing more than a shield, its size as well as the smoke that appears to be
trailing out of it suggests otherwise.
Although it is not known exactly when the painting was created
or by whom, the German caption below it reads: Israel, hoffe auf den Herrn (“Israel, put your hope in the
Lord”). As the Bible was not translated into German until 1523 and a fire
destroyed the original monastery in the 17th century, the painting was probably
created after those two events.
2 Glorification Of The
Eucharist Early 1600s
Some people believe that the Glorification of the Eucharist,
which was painted by Ventura Salimbeni around 1600 after being commissioned by
the Church of San Pietro in Montalcino, suggests the possibility of alien
life or time travel.
Some people believe that the globe-shaped object positioned
between Jesus and the Holy Father at the top of the painting is a monitoring
device. In fact, a telescopic “eye” can be seen on the bottom left of the
sphere.
Others point to the similarities in appearance between the globe
and Sputnik 1, the first satellite that was launched into space. These people
suggest that the artist could foresee the future or he traveled through time
and saw the future firsthand.
Mainstream historians suggest that the object is a creation
globe and that the “antennae” are the wands of Jesus and the Lord. Critics of
this theory counter that there are no stars in the creation globe and that it
appears to have a metallic finish, suggesting that it is artificial and not
divine.
1 The Crucifixion Of Christ (Georgia)
Circa 1600s
Similar to The Crucifixion Of
Christ (Kosovo) that was mentioned above, The
Crucifixion Of Christ fresco in Svetishoveli Cathedral in
Mtskheta, Georgia, clearly shows a flying object on either side of the Cross.
When you look closely at the two objects, each contains a face—as if someone
is piloting each craft
This idea of aliens being present at such key events in Jesus’s
life makes sense to some ancient astronaut theorists, who firmly believe that
Jesus was an alien – human hybrid.
According to them, Jesus’s human mother, Mary, was artificially
inseminated with a fetus that contained alien DNA. They also claim that “Angel
Gabriel” was a real flesh-and-blood alien who conducted the procedure by
convincing Mary that it was a dream and that he was a messenger of the Lord.
If true, this would also make Mary one of the first alien
abductees in recorded history.
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